Showing posts with label Movies - Bridesmaids. Show all posts
Showing posts with label Movies - Bridesmaids. Show all posts

Friday, January 6, 2012

Bridesmaids DVD Review: Funny but not as hilarious as advertised

Bridesmaids has a number of moments that show its sheer comedic genius but its also filled with a number of cricket spurring moments.



Bridesmaids is a moderately entertaining, unorthodox commingling of rauchiness, senselessness and zaniness. The film uses an uncommon approach to comedy that is sparsely laced with moments of comedy however, it doesn’t quite measure up to the hype that surrounded it during its stint in the theaters over this past summer. The movie stars Kristen Wiig (Whip It), Mya Randolph (MacGrubber), Rose Byrne (Insidious), Melissa McCarthy (The Back-Up Plan), Chris O’Dowd (Gulliver’s Travels), John Hamm (The Town), and Terry Crews (The Expendables).



Bridesmaids is a humorous, crude farce about the true test of friendship through time and change. The film uses a jocular approach to tell the story of two lifelong friends whose lives have taken two completely contrasting directions. As one has found a happy and healthy relationship, the other’s life has taken a turn in the opposite direction. This is a comedy that is truly a story of a woman that has lost her way in life. Annie (Wiig) is at a crossroads in her professional and personal life but it all boils to a head when her best friend’s life is set to undergo a drastic change. Annie begins to question the bond between the two as it is tested because of change. At the core of this misleading debacle is the warm story of two friends who‘s lives have taken different directions causing the nature of their childhood friendship to change. After Lillian (Randolph) announces her marriage, Annie discovers the relationship between Helen (Byrne) and Lillian. Soon after, a competition for the bride’s friendship develops. A lot of the humor is focused on the budding rivalry between the childhood friend vs. the now current friend. The film revolves around the jealousy that Annie feels towards Helen as she has become Lillian’s seemingly new best friend.

The film maintains a brief flirtation with being funny while it also teeters on being repugnantly boring. It possesses no middle ground in between the two. The comedy within this film will either have you laughing or completely blank. It’s an overrated debacle has some abrupt flashes of comedic genius. However, for every good comedic instance within it, it also contains a good amount of dead spots that hinder the audiences’ enjoyment of the very amusing moments. This movie has some of the more “cricket spurring” comedic occurrences that you will ever witness within a film. Much of the comedy feels forced as many of the scenes drain the humor out of the joke. An example of this happens from the outset where the Annie is having sex with her “sex buddy,” Ted (Hamm). The situation shows some promise but it quickly loses its humorous value as it overdone.

In spite of those dead spots, there are moments that are utterly hilarious that thankfully increase the enjoyment of the film. Scenes such as the “gown fitting” and Annie‘s blow up at the engagement party are easily the two best scenes in the film. The gown fitting scene was without question the best of the two. The sheer unparalleled raunchy nature of the scene is offset by it being so hilarious.



The six female actresses that comprise the roles of the bridesmaids all do an admirable job in trying to increase the comedic value of the film. Kristen Wiig plays Annie, a character who is almost too hopeless to be funny. Wiig’s character of Annie’s destitute situation is similar to a modern day Nathan Fallen (The Jerk), with her sense of haplessness, although no where near as funny. Wiig displays a few shinning moments but comes up short as the focus of the film. The competition between she and Helen (Byrne) which was one of the key points of the film isn’t humorous enough to maintain the audience throughout. Mya Randolph doesn’t display the comedic ability as she has displayed in other films. Melissa McArthy shows some comedic promise as fat chick Megan, Kevin‘s sister. She is the only bridesmaid outside of the trio of stars that each get a extremely brief moment in the spotlight. Each of them have a brief moment or two but the lack of equal screen time made the cast feel mismatched.

If there ever has been a comedy that was over-hyped then this it. The hype that surrounded this film completely killed it for me. Bridesmaids isn’t nearly as funny as advertised. The movie uses a number of edgy, raunchy moments in an attempt to spark a response. It has some moments of comedic genius however it isn’t even close to being the uproarious outing that it has been made to be as too many of them fail to hit the mark. Much of the comedy within it is an acquired taste with little to no middle ground. Either you’ll like it or you don’t. It lacks the true universal comedic appeal to entertain everyone. It was difficult to view this film without prejudging it because of all of the hype that was given to this movie when it was in theaters. Bridesmaids is funny but not even close to measuring up to the all of the acclaim that it received. It could have been more enjoyable had it not had some of the labels attached to it.

From:
http://www.examiner.com/movies-in-baltimore/dvd-review-bridesmaids-funny-but-not-as-hirlarious-as-advertised-review

Enjoy!

Tuesday, January 3, 2012

More thoughts about Kristen Wiig's Golden Globe nomination

GG: Best Actress - Musical/Comedy - Kristen Wiig

Name: Kristen Wiig

Age: 38

Character: Annie in Bridesmaids



Film: The film centres on Annie (Wiig), a simple and single 30-something Midwestern girl (with poor dating track record) who is asked to be her best friend Lillian's (Maya Rudolph) maid of honour.

However, having never done the job, she struggles to please the snobby, rich bridesmaids at every pre-wedding event.

And one of Lillian's best friends is essentially the bridesmaid from hell (Rose Byrne) - who attempts to take over the maid of honour duties from the inexperienced Annie.

Previous Golden Globe Wins: Wiig has no previous Golden Globe wins.

Previous Golden Globe Nominations: This is her first nomination

Critics: “Kristen Wiig (who you’ll recognise from Saturday Night Live) is the star at the centre of the film, both co-writing and as the lead and in her first lead role, she easily carries the film which centres on her character Annie.” - FemaleFirst

“Sharply written and winningly performed, it delivers more laughs than any movie released this year, but also, the longer it goes on, develops into a surprisingly poignant evocation of self-scuppering loneliness.” - Daily Telegraph

“Wiig's brand of comedy is loud, proud and just gosh darned funny.” - Digital Spy

Here are the other nominees:
- Michelle Williams
- Kate Winslet
- Chalize Theron

From:
http://www.femalefirst.co.uk/movies/Kristen+Wiig-11213.html

Monday, January 2, 2012

Kristen Wiig says that casting Bridesmaids was important

Kristen Wiig: 'Bridesmaids casting was important'

Kristen Wiig has confessed that she felt under pressure to get the casting of Bridesmaids right.



The Saturday Night Live star, who wrote the 2011 comedy with Annie Mumolo, revealed that only Wendi McLendon-Covey, Maya Rudolph and Melissa McCarthy were offered their roles without having to audition, a process which Wiig found strange to oversee.

"To really sit on the other side of that was really eye-opening and weird. I definitely know how it feels to be the person walking in and doing an audition," Wiig recalled in a new interview with Paper Mag.

"in my experience, to like, say something awkward and then leave my bag in the room - it's a nerve-racking thing. Getting these relationships and chemistry down between the actors was really important, because that was the biggest part of the movie."

Wiig also expressed her frustration with the media's obsession with the mostly female cast, saying: "It's unfortunate that this is only now being talked about, because women have been present in comedy for so long. There have been tons of movies with lots of women in them before Bridesmaids.

"It's just a confusing thing to me. But you know, if more movies are getting green-lit, and writers are getting a chance because of this movie, I couldn't be happier. That's such a great thing, because the fact that they weren't is kind of awful."

From:
http://www.digitalspy.com/movies/news/a354743/kristen-wiig-bridesmaids-casting-was-important.html


Enjoy!

Sunday, January 1, 2012

Kristen Wiig - In New York Times on January 8th

Each year, the New York Times Arts & Leisure Weekend brings together moguls in film, television, theater, dance, music, journalism and more. This year, Alan Rickmann and Kristen Wiig are among those leading colloquiums which are set to begin Jan. 5, 2012 at the TimesCenter.



The event allows those interested in the arts to hear firsthand accounts of the creative process from those involved. Arts and Leisure Weekend events are scheduled until January 8th thus far.

Rickmann, who is known for his role as Severus Snape in the "Harry Potter" film franchise and lead role in Broadway comedy Seminar, will appear from 10 a.m. to 11:15 a.m. Jan. 7, 2012. Kristen Wiig, Saturday Night Live alumni and star and writer of this year’s hit comedy “Bridesmaids,” will appear Jan. 8, 2012, from 6 p.m. to 7:15 p.m. with the film’s director Paul Feig.

Read more about Seth Rogen and 50/50:
http://global.christianpost.com/news/kristen-wiig-and-seth-rogen-to-appear-in-new-york-times-65173/

Happy New Year! And...

Enjoy!

Saturday, December 31, 2011

Bridesmaids: Top 11 Reasons It Was Strangely Disappointing

Written by Dan Mirvish. My notes are below his points, marked as "Editor". Enjoy!
=====================



As the awards season brings a renewed -- and mostly well-deserved -- attention to the film Bridesmaids, I feel it might be worth revisiting. To be clear, I found the movie to be genuinely entertaining and I'm happy it's getting awards consideration this season. That said, I saw it in its third or fourth week of general release last summer and I couldn't help but feel disappointed in a few ways -- some objective, some not so much. As a filmmaker myself, I'm generally loathe to critique another movie in public. (And if I didn't like the movie at all, I wouldn't have cared. But somehow, I do.) So in no particular order, then (and at the considerable personal risk of never getting hired by Judd Apatow) here are my Top 11 Reasons Bridesmaids was Strangely Disappointing:

1. It's not a female version of The Hangover. That's good, right? But one reason people thought it would be was prominently displayed in the trailer: a slow-motion shot of the titular bridesmaids (a phrase that itself could have come from The Hangover) as they round the corner of a jetway with a Vegas poster in the back. Guess what? They don't make it to Vegas. This is a tribute to the movie: It's not the female version of The Hangover. It's its own movie and should be proud of it. But the cast and crew have no one to blame but Universal's own marketing strategy for the comparison. It's a good lesson for all filmmakers: You live by the trailer, you die by the trailer.

Editor: By design. The filmmakers were likely never thinking of The Hangover. However, the marketing team saw it and realized that they go to Vegas (sort of) and that the airplane sequence is hilarious. So with a little bit of efforts, they made the trailer seem like they were flying to Vegas, and thus, would get compared as a "female Hangover." Bridesmaids made $280 million! Do you think the trailer had anything to do with that? Heck yeah, and they purposefully made it look like "Hangover for chicks", which helped sell the film beautifully. So, yeah, "By design" is the response here.

2. Foreigners. OK, you're in Milwaukee. Why are Kristen Wiig's two roommates British siblings? They're perfectly amusing characters, but why are they British? And then what would be the odds of her falling for the one Irish highway patrolman in Wisconsin? I'm guessing that Wisconsin has never had an Irish highway patrolman. These foreigners are barely explained away, which leads me only to believe that the filmmakers liked these actors from the comedy circuit or to get co-financing from Great Britain or some other reason that took me out of the movie. You couldn't find any American actors to play those parts? Really?

Editor: Good points, but those actors did make the characters more interesting. And yes, Kristen and company probably scouted out their comedic talents and were thinking about talent first (over than making sure foreigners weren't in Milwaukee).

3. Milwaukee. I was stoked to see that Bridesmaids was set in Milwaukee. A nice, non-obvious choice that was played realistically as a cosmopolitan mid-sized midwestern city. The film was neither patronizing nor pollyanish about Milwaukee with nary a beer brewing Laverne & Shirley reference to be found. In fact, one of the first cuts on the excellent soundtrack was a cool cover of the Milwaukee-based band, The Violent Femmes. Nice touch! The movie was also refreshingly not set in a tax-credit grubbing state like Michigan. The only problem was, as the credits would indicate, the film was shot in California. Or at least that was the only film commission thanked by name in the credits. You would think the Wisconsin Film Commission deserves a thank you just by virtue of the B-roll helicopter shots of Milwaukee, but no.

Editor: So you're complaining that they adequately fooled you? So?

4. Jill Clayburgh's last movie. This was strangely personal as I'd recently met with Jill Clayburgh's real daughter, Tony-nominated actress Lily Rabe, right before seeing Bridesmaids. So it was oddly disconcerting to see Kristen Wiig playing Clayburgh's fake daughter in the movie. Especially because Wiig is at least 15 years older than Lily. In any case, it's traditional to give some sort of acknowledgement in your end credits to a famous actor who dies during post production. But unless I missed it, I saw no such "in memory of" credit to Clayburgh in the credits. Furthermore, I haven't seen a single "for your consideration" ad this awards season from Universal or any PR-generated articles suggesting she should get a posthumous supporting actress award. Maybe they're there, but I haven't seen them.

Editor: Agree on both points (she should have been credited and should be considered for a GG or AA nomination).

5. Minor characters sounded like Kristen Wiig. I felt like several of the minor characters in the movie (i.e., a woman on the plane, the teenager at the jewelry store) sounded like they were doing Kristen Wiig impersonations from her SNL characters. Wiig herself sometimes did, too, but that's to be expected, I suppose. My wife thinks this could be explained by the fact that Wiig was a co-writer of the script, but it still took me out of the movie.

Editor: I agree big time! I was watching the whole movie, and I couldn't help but feel like it was a world full of Kristen Wiig! Everybody was Kristen Wiig! I spoke it out loud to those around me during both those scenes you mentioned (jewelry store and airplane), but even Maya Rudolph, Melissa McCarthy, Jon Hamm, and Rose Byrn were speaking and acting like Kristen Wiig!!! And yes, that took me out of the movie. However, that's part of what gave the movie it's charm and success. So it's bittersweet for me. I wasn't a huge fan of it, but I'm willing to admit that it's for the good of the film.

6. Editing. Like almost every other Apatow-produced movie (of which I'm generally a fan; and yes, I'd love to direct one of his movies) Bridesmaids started slow and could have been cut by at least 20 minutes. I was surprised to find two editors on the credits. *, they can't even edit the number of editors on these films!

Editor: Disagree. I found the earlier parts between Wiig and Hamm and Wiig and Rudolph to be funny and to help stabilize the characters (so when you saw Wiig and Rudolph go crazy, you can take it into context with their overall personalities). The danger with rushing a film is that you sometimes don't get to meet the characters in their normal worlds, and Bridesmaids executed on that better than many films.

7. Cinematography. One fellow director told me ahead of time that the cinematography was impressive. Really?? I found it to be flatly lit, and had not a single memorable or inspiring shot in the movie. Comedies don't have to be badly shot. Even some films from Apatow-alumni directors like Greg Mottola (Superbad, Paul) and David Gordon Green (Pineapple Express, Your Highness) have ambitious cinematography. But those guys also both cut their chops on award-winning festival films before heading to TV and then back again to features.

Editor: Agree, but I didn't find it to be a big deal.

8. Bodily fluids. If you're going to go there, then don't pull your punches. Vomiting on one another was inspired, but with not one but two characters defecating in inappropriate places, why not show a little brown? Especially after hearing incessant reviews that there would be bodily fluids to compete with "male" comedies, I felt let down.

Editor: Disagree. I was super glad that they didn't show it. It helped remind me that women were involved, and they have better taste (well, only slightly better).

9. Annie Walker. Kristen Wiig's character has the same name as Piper Perabo's on the USA series Covert Affairs. Now, Bridesmaids was undoubtedly shot (and most certainly written) before Covert Affairs premiered in the summer of 2010 on basic cable. But all it takes is one writer's assistant or clearance paralegal to do an IMDB check at some point along the way and have the filmmakers just edit out Wiig's character's last name during her engagement shower speech (a scene that could have used the cutting anyway).

Editor: Back it the real world, we just don't care. It's a good name.

10. Jon Hamm. Why have so many (from reviewers to the filmmakers themselves) found it so odd that such a good-looking guy like Jon Hamm would fall for Kristen Wiig? Wiig is very pretty. (And contrary to the script, she's just as skinny as Rose Byrne, if not more so). Why wouldn't she land a fellow like Hamm? I mean, is she any worse looking than Hamm's real life mate Jennifer Westfelt? I dare say, not.

Editor: I must have missed that buzz. Hamm is definitely handsome, and seeing a handsome man in a loathesome role was incredibly funny and refreshing. So I think we both agree that Hamm was good in this role. You're more disappointed with people who we should just ignore. =^)

11. My bitter jealousy of Paul Feig. Ever since I was part of the Slamdance Film Festival programming committee that rejected his first movie (Life Sold Separately) back in the 90s, Feig's career has soared. From Freaks and Geeks to Undeclared, to directing landmark episodes of The Office and Weeds, to a burgeoning feature career under the wing of Judd Apatow, Feig is that rare comedy director who coasts easily between features and quality television. To get the opportunity to work with such talented writer/actors as Kristen Wiig and the rest of the Bridesmaids cast is a gift to him from the comedy gods. He acquitted himself exceptionally well, and deserves to be considered as a Best Director by any and all standards. Finally, by all accounts, he seems like a very nice guy, too. That *!

Editor: So this one is about your jealousy? Hmm. Well, Feig had his lumps in his career (like you said, you rejected him), and he's only now starting to get some credit as a film director, so he hasn't even peaked yet. If you want to have the success he's had, you might want to emulate his formula. Go to TV and try to create a show with a few experienced producers. See what happens.

Dan's editorial is from:
http://www.huffingtonpost.com/dan-mirvish/bridesmaids-revisited-top_b_1162669.html

What do you think?

Enjoy!

Wednesday, December 28, 2011

Kristen Wiig - Nominated for a Golden Globe



First, Bridesmaids is nominated as...

Best Motion Picture - Comedy Or Musical

Here's the competition:

50/50
The Artist
Bridesmaids
Midnight In Paris
My Week With Marilyn

Well, I'm not sure if 50/50 and "My Week with Marilyn" should be comedies. They're more like dramas with comedic elements. "Marilyn" will win hands down. Shouldn't even be in the same category as Bridesmaids, unfortunately. However, it's fantastic that we see Bridesmaids here at all, when other films like Hangover 2 don't get nominated.

And then Kristen Wiig is being nominated for Bridesmaids as...

Best Performance by an Actress in a Motion Picture - Comedy Or Musical

The competition here is also steep:

Jodie Foster – Carnage
Charlize Theron – Young Adult
Kristen Wiig – Bridesmaids
Michelle Williams – My Week With Marilyn
Kate Winslet – Carnage

So there's no way that Kristen can take these ladies out either. This is really between Charlize Theron and Michelle Williams' Marilyn. But throwing in Jody Foster and Kate Winslet in as well? And you'd bet Kristen is honored to be listed among them!

Check out the Golden Globe nominations here:

http://www.goldenglobes.org/nominations/

Enjoy!

Friday, December 23, 2011

Bridesmaids from Judd Apatow's viewpoint

This interview was titled for possible Oscar nominations, but that's doubtful.



Could Judd Apatow and Kristen Wiig’s ‘Bridesmaids’ Nab an Oscar?

Awards forecasters say the raunchy comedy just might receive some unexpected Academy Awards love. Chris Lee talked to the movie’s producer Judd Apatow to find out how Bridesmaids reached the screen.

Bringing joy to both ends of the cultural spectrum—that is, to frat boys and feminists alike—the R-rated comedy Bridesmaids has arguably become 2011’s most universally beloved film. Thanks to its transgressive take on female-friendly raunch and jolts of explosive toilet humor, the $32.5 million movie clocked more than $288 million at the box office worldwide to become a monster summer hit. And now Bridesmaids is finding its way onto critics’ and film boards’ best-of year-end movie lists alongside more sobering dramatic fare such as War Horse, The Tree of Life, and Moneyball.

But can Bridesmaids pull the upset of all upsets? With buzz around Hollywood growing progressively louder for the film as the awards season makes its inexorable slog toward the Kodak Theater, could Bridesmaids land an Oscar nomination?

According to a growing number of movie pundits and Gurus of Gold, the movie is a likely contender for several Golden Globes, whose nominations are announced Dec. 15. It stands a solid chance of seeing some Oscar love too, particularly Bridesmaids’ writer-star Kristen Wiig and co-writer Annie Mumolo in the Best Original Screenplay category, which seems to be a wide open field this year. (The nominations come in January.)

Never mind that Academy voters historically have been reluctant to honor movies that provoke belly laughs instead of jerking tears. The two acknowledged frontrunners for Best Original Screenplay, the black-and-white silent feature The Artist and Woody Allen’s Midnight in Paris, stand out, a refreshing change of pace, as funny films with dramatic moments, rather than vice versa.

“People seem to think it’s more difficult to make movies without jokes in them,” noted Bridesmaids producer Judd Apatow. “But that’s just not true.”

To underscore how unlikely Bridesmaids’ rise to become part of this cultural conversation is, you have to trace the movie’s roots back to 2006. That year, Saturday Night Live regular Wiig was cast in a bit part as a paggro cable television executive in the movie Apatow was directing at the time, Knocked Up. Applying what he describes as his “usual M.O.,” the comedy kingpin, responsible for many of the most successful funny films of the past decade, asked Wiig if she had any movie ideas.

“This was before people know who Kristen was from SNL,” Apatow recalled. “She would just get giant laughs right off the bat. So I just said to her, ‘Let me know if you have any ideas for a screenplay for yourself.’ That’s what happened on Anchorman when I worked with Steve Carell. He had the idea for The 40 Year Old Virgin.”

“At some point after that shoot, Kristen said she and her partner, Annie, had this idea, which was Bridesmaids,” he continued. “But there was no script. Just an idea.”

That idea was originally titled Maid of Honor, until the production discovered a movie of the same name already existed. But the basic premise for Bridesmaids was there from the beginning. The film would follow a “wounded woman” (Wiig), someone with crushingly low self-esteem who starts spinning out of control just as her best friend puts her life in order by getting married. Adding insult to injury, each of the other bridesmaids are better off than she is for one reason or another, raising the stakes of the character’s explicit need for personal redemption.

Over the following years, writing commenced, with Wiig in New York for her day job and Mumolo grinding out the script in Los Angeles. The two would meet on weekends and conduct semi-regular “table reads” of drafts for Apatow to get his notes and suggestions. Every joke was tweaked and reworked multiple times to achieve maximum comic liftoff. “It was a long time and a lot of work,” said a source who has worked with Apatow on several projects, including Bridesmaids, but who requested anonymity. “You might write a million versions of every scene. There’s always a chance to elevate the material, to make everything even better.”

The producer’s longtime creative partner, Paul Feig—who created Freaks and Geeks, the Fox TV series that delivered Apatow initial renown as a comedic tastemaker—was brought on to direct Bridesmaids. The cast, meanwhile, was rounded out by a hodgepodge of TV and movie actresses, including Wiig’s former Saturday Night Live castmate Maya Rudolph, Rose Byrne (TV’s Damages, X-Men: First Class), and the movie’s breakout star, Melissa McCarthy, from the CBS sitcom Mike & Molly.

About two thirds of the way through production, the producer made a suggestion that was greeted with considerable reluctance. He proposed to Mumolo and Wiig what remains Bridesmaids’ central talking point: a gut-busting sequence in which the maids of honor are brought low by food poisoning courtesy of Wiig’s character’s restaurant choice. From there, they are shown suffering through bouts of explosive diarrhea as well as vomiting in, on, and around a fancy-pants wedding dress shop.



“The reaction was, ‘Are you * kidding? This is not what happens to women. That’s not what kind of movie this is,’” remembered the source close to the production. “There was definite reluctance about it. But they took a leap of faith because of Judd and Paul. ‘These are funny guys and they know what they’re talking about.’ It wasn’t [Wiig and Mumolo’s] instinct to put that in the movie, though.”

Apatow, however, brushes off the notion that he strong-armed the writers into including the explosive pooping and insists none of it would have been included had the footage not been up to par. “It was important that there were some moments that would bring down the house,” he said. “We knew this would be a big swing, an all-or-nothing proposition.”

“But there’s always a moment beforehand when we say, ‘Are we really going to do this?’” he continued. “There’s a set now and special-effects people who are trying to determine whether the sink is too high for Melissa to jump on. So there was a breath where we all said, ‘Let’s give it a shot. If it works, it works. And if it doesn’t, we’ll cut it out.’”

In addition to scoring with both audiences and critics, Bridesmaids’ short-term impact has been to get other woman-fronted comedies the green light from Hollywood’s studio system by putting to rest Christopher Hitchens’s “Why women aren’t funny” debate. “It’s ridiculous. Women are more than 50 percent of the population and they are forced to see movies made primarily by men, starring men, and about men,” Apatow said. “But that’s not why we made it. It was only after the movie was completed that anyone said this had any significance. We didn’t think it was any different than something like The House Bunny or Baby Mama. So we didn’t think we were breaking any new ground. We just thought it was a fun thing to do.”

From:
http://www.thedailybeast.com/articles/2011/12/13/could-judd-apatow-and-kristen-wiig-s-bridesmaids-nab-an-oscar.html

Enjoy!

Tuesday, November 29, 2011

Kristen Wiig is NOT going to make a Porky's Sequel!!! (Guardian Interview)

Kristen Wiig's gone from working as a waitress to filming with Robert De Niro and Sean Penn. Emma Brockes hears how the summer's hit film Bridesmaids helped put the actor on the map.



Kristen Wiig: 'Bridesmaids was definitely the biggest role I’ve ever had.'

Kristen Wiig has had the kind of summer one might imagine to be life-changing. For four years, she and Annie Mumolo, her friend and co-writer, slaved over a comedy script commissioned by Judd Apatow about a woman whose best friend is getting married. It was the 38-year-old's first lead in a film, and her first full-length script to be produced. As an indication of how it played with audiences, I watched it on a plane last month with a friend who, during the scene in which the bride squats in the street to relieve herself after a bad kebab, laughed so long and hard a woman passing in the aisle leant over and said, "What are you watching?"

Wiig smiles when I tell her this. "Proud," she says, of the day they filmed the shi**ing-in-the-street scene. "A proud moment."

We are in the tearoom of a fashionable hotel in Tribeca, the Manhattan neighbourhood where Wiig lives. Before Bridesmaids, she was known to US audiences as a long-running cast member of Saturday Night Live and elsewhere for scene-stealing cameos in films such as Ghost Town and Knocked Up.

That the film, by midsummer, had grossed more than $150m in the US and outstripped not only all of Apatow's other films, but every "R-rated female comedy" in history, puts Wiig in the zone of woman of the moment, although she chafes against this, with its implication that before Bridesmaids she was an ingenue.

The famous duelling speeches scene from Bridesmaids:

Sunday, October 23, 2011

All the Kristen Wiig sex scenes (videos)

This is one post with all of Kristen Wiig's sex scenes from her films.

In 2010, Kristen Wiig was in MacGruber, which had a weird sex scene. Here Vicki and MacGruber get intimate earlier in the film...



Here's a video interview with Kristen about the sex scene:



Kristen Wiig comments on her first sex scene, from the movie MacGruber. Leave a comment below with the URL if you find a video clip of the scene.

Check out this text interview with more information about her sex scene: http://kristen-wiig.blogspot.com/2010/07/kristen-wiig-macgruber-interview-sex.html


On Funny or Die, Kristen Wiig shares a beard love scene with Zach Galifianakis:



In 2011, she wrote and starred in Bridesmaids, which offered this silly sex scene with Kristen and Jon Hamm:



The Bridesmaids cast discusses their ideas for sex scenes:



Enjoy!

Thursday, October 20, 2011

Kristen Wiig and Rose Byrn - 'Bridesmaids' Premiere photos

'Bridesmaids' Celebrity Girls Night Out to celebrate the premiere at Event Cinemas George Street.

In This Photo: Kristen Wiig, Rose Byrne, Rebel Wilson, Paul Feig...



The cast of "Bridesmaids" hit the red carpet for the premiere of hit comedy "Bridesmaids" in Sydney, Australia.





And now some photos of just Kristen...

Friday, October 14, 2011

Kristen Wiig at the Ed Sullivan Theater (before going on David Letterman)



Kristen Wiig poses in a black silk dress and leopard print heels before making an appearance on "The Late Show with David Letterman" to promote her movie "Bridesmaids".





More photos of the event here:
http://www.zimbio.com/pictures/wzBzpDt0ueq/Kristen+Wiig+Ed+Sullivan+Theater/CDn5VpgdeO_/Kristen+Wiig

Enjoy!

Wednesday, October 12, 2011

Kristen Wiig and Maya Rudolph get their Bridesmaids on

Kristen Wiig & Maya Rudolph Visit Access Hollywood

That sounds funny: "getting their bridesmaids on." Onto what? Not sure. It was awhile ago, but here are the photos from this smacker...



Here's Maya Rudolph pregnant:



Plugging away with promotional duties, Kristen Wiig and Maya Rudolph were spotted outside Access Hollywood studios in Los Angeles on Monday (May 9).

Kristen with Seth Rogen:



Just kidding. He's just a fan.

The comedic actresses were promoting their latest hit movie called “Bridesmaids” - which opened in theaters on Friday, May 13th.

You won't like her when she's angry:

Friday, September 30, 2011

Maya Rudolph talks Bridesmaids on Jay Leno

Kristen Wiig's friend and costar, Maya Rudolph, talks to Jay about Bridesmaids...

SNL alumna Maya Rudolph visited Jay Leno on Friday to talk about her amazing year, which has included a new baby, Up All Night and Bridesmaids. Jay also hit the SNL vaults to share a classic Donatella Versace sketch featuring fellow Tonight Show guest Hugh Jackman as a male model who likes “movies, walking, and the new diet coke with lemon.”



Enjoy!

Tuesday, September 20, 2011

Bridesmaids Features - Kristen Wiig "Drunk-O-Rama" clip

There's a reason "Bridesmaids" is the No. 1 one R-rated female comedy of all time. It's darn funny...duh! And all the hilarity can soon be yours to have and to hold when the Judd Apatow-produced flick is released on DVD and Blu-ray today (September 20).

To ease any cold feet you may have about committing to this rowdy romp, we've got an EXCLUSIVE look at one of the DVD's super-fun featurettes!

Titled "Drunk-O-Rama," this goofy clip captures star Kristen Wiig in one of her most compromising positions. Well, except for that poop scene. And that Jon Hamm sex scene. But, you know, she's not at her sober finest here. As you'll recall, Kristen's character, Annie, is deathly afraid of flying, so she pops a few pills and some liquid courage to make the flight a little smoother. Except, she hits a little turbulence along the way. And we're not talking about the bumpy air kind.


Click play on the clip above to guffaw along to this hilarious DVD bonus, and be sure to pick up your copy of "Bridesmaids" on September 20.

From:
http://hollywoodcrush.mtv.com/2011/09/15/bridesmaids-dvd-exclusive/

Enjoy!

Tuesday, September 13, 2011

Kristen Wiig's Bridesmaids: The women are coming to Turkey

The comedy “Bridesmaids” hits Turkish theaters this week and finally writer-actress Kristen Wiig, along with director Paul Feig, shows us that women are actually human beings who have a sense of humor and can be as vile and vicious as men.



Surely this is not the image that might agree with some people's prudent sensibilities, but “Bridesmaids” with its unashamed and unapologetic humor shows us a fragment of the truth and provides much relief for many women out there who are afraid to acknowledge they too can err, swear and make a mess of themselves. And guess what, that's simply fine.

It all starts with a rather raunchy scene with 30-something Annie (Kristen Wiig) copulating with her on-and-off boyfriend Ted (Jon Hamm of “Mad Men,” who looks extremely annoying here). This union is not love, and by the way the fact that Annie accepts to be treated so humiliatingly by shallow Ted just goes to show that this is only the surface of her problems with self-esteem. Annie looks like a genuinely nice person but her life is in a downward spiral. After the recession she ends up shutting down her much-loved bakery and moves in with a rather mentally challenged and annoying English brother and sister (comedians Matt Lucas and Rebel Wilson). At least Annie's still got her best friend, Lillian (Maya Rudolph), in her life, who provides her with the sanity she needs. But that's about to change as well.

When Lillian accepts her boyfriend's marriage proposal, warning bells start ringing for Annie -- she doesn't have a fulfilling relationship, she's got a job she hates at a jewelry store and she's got no money. Annie realizes that her life is stuck in a complete rut while she admires and envies Lillian's happiness.

Nevertheless she will be the maid of honor at Lillian's wedding and organize the bridal shower and bachelorette party. Things take quite a funny twist when she meets the other eccentric bridesmaids and Lillian's new friend, the all-perfect and rich Helen (Rose Byrne being as prissy as possible). Annie and Helen take a dislike towards each other from the onset and the rivalry begins to overwhelm Lillian during the arrangement of the bridal activities. It's been a long time since we have seen the wickedly enjoyable tug of war between two women on the big screen -- it's not at all pretty but it is indeed hilarious.

The ensemble cast of Bridesmaids is impeccably selected for this film, for each of the women have their own quirks and represent a range of contemporary women. Megan (the talented Melissa McCarthy) is a tough government official who likes to take a head-on approach to life. Then there is Rita (Wendi McLendon-Covi), a mother of three sons who cannot wait to escape her life through the bachelorette party, and good girl Becca (Elie Kemper), who still naively believes in the power of love. And of course there is Helen, who is not as polished as she seems. These five interesting and real women make the backbone of the film along with Annie.

The dialogue and narrative of the film is written with wit and ingenuity. A scene that takes place on an airplane could be the funniest scene of the year in cinema along with a bridal fitting that goes very wrong and ends up being so unexpectedly grotesque that you will not be able to refrain from laughing hard.

Yet, it isn't just the brave humor that this film excels in, but its presentation of Kristen Wiig's layered performance and her ability to write a funny and profound story about a woman who has hit rock bottom. It's not easy to create a character that's so lovable when she makes so many mistakes and ends up hurting loved ones, but Wiig writes and acts with such charm and ingenuity that Annie becomes someone who you can relate to and empathize with. You can imagine meeting her in real life, you can imagine her being your friend, unlike many of the other picture perfect heroines of the chick flick genre.

“Bridesmaids” is not a feminist manifesto in itself, but it is an authentic story of the modern woman -- an honest portrayal of a gender that exists in its own right not as an extension of its male counterpart, as is portrayed in most Hollywood comedies of such endearing vulgarity. This film is for women and for men, so don't miss this insightful and vivacious opportunity.

From:
http://www.todayszaman.com/news-255587-bridesmaids-the-women-are-coming.html

Enjoy!

Friday, September 9, 2011

Does Anna Faris think "What's Your Number?" can piggyback off of Bridesmaids?

After the success of Bridesmaids, Horrible Bosses, and Bad Teacher, Anna is pushing "What's Your Number?" to an R rating. But can Anna deliver the raunchy random and slapstick comedy that the other three films did?

(Note that these three films are unique because (A) They feature women in comedy roles, (B) They are all rated R, (C) They were all successful. Specifically Jennifer Aniston tore up her role in Horrible Bosses.)

In What’s Your Number?, Anna Faris pushes the year’s R-rated-comedy trend along by playing a crass, desperate woman who decides she can’t sleep with yet another man and must instead revisit all twenty of her exes (played by Joel McHale, Andy Samberg, Zachary Quinto, among others). She spoke with Logan Hill.



Your husband, Chris Pratt, plays an ex who thinks your character is stalking him.
I love working with my husband, although it’s terrifying. Like, if I don’t impress him with my acting skills, he’s going to fall out of love with me.


So it’s all over now?
No, thank God. He’s still with me.


You fell for Chris while making your last movie, Take Me Home Tonight. But you weren’t the only person he dated on that set?
I was proud of myself for being like, “Hey, I’m cool. I’m one of the guys. I can help you get some action!” Our friendship sort of grew, so when the movie came to an end, I really missed him.


That seems healthy.
Yes, but there are certain people we don’t bring up: the little redhead, or the really hot camera girl. But I remember them! Maybe six or seven months into dating—I don’t know—I asked Chris, “Hey, how many people have you slept with?” And he looks at me like, “That’s the dumbest question.” I was like, Oh, yeah. It is. To this day, he hasn’t told me.


...

Do you think Bridesmaids will let women be raunchier in films?
I think there was an idea that what women wanted out of a comedy was different from what men wanted. If I pitch an R-rated comedy, we’d have to revise it to a PG-13. Maybe I’m being optimistic, but I feel like there has been an audience shift that studios are terrified of.


Read the rest of the raunchy interview here:
http://nymag.com/guides/fallpreview/2011/movies/anna-faris/

=======================

So Bridesmaids is at least giving other comediennes some hope! Let's see if Anna Faris can deliver!
Enjoy!

Monday, September 5, 2011

'Bridesmaids' tops $100 million overseas



Bad girls have had a good time at the box office this summer, and not just in this country.

"Bridesmaids" and "Bad Teacher," two R-rated comedies featuring bawdy female characters that have become sleeper hits domestically, are also attracting impressive numbers of overseas moviegoers -- even though American jokes typically don't translate well abroad.

Starring Kristin Wiig as a woman trying to help her friend prepare for her wedding, "Bridesmaids" collected an additional $3.8 million this weekend in 40 foreign countries, bringing its total at the international box office to $104.8 million, according to an estimate by distributor Universal Pictures. The movie has performed best in Britain, raking in $36.5 million there. The picture has yet to open in 14 foreign territories. It is set to debut in South Korea next weekend.

"Bridesmaids" opened in the U.S. and Canada in May, where it has since collected $167.7 million.

"Bad Teacher," meanwhile, has grossed $98.1 million domestically since its launch in June and is doing equally well abroad, bringing in $98.8 million.

Read a tad more here:
http://latimesblogs.latimes.com/entertainmentnewsbuzz/2011/08/box-office-bridesmaids-bad-teacher-international-100-million.html

Enjoy!

Thursday, September 1, 2011

Bridesmaids is coming to DVD on September 20th!



"Gut-bustingly funny. Bridesmaids gets an A!!!" (Owen Gleiberman, Entertainment Weekly) From the producer of Superbad, Knocked Up, and The 40-Year-Old Virgin comes the breakout comedy critics are calling "brazenly hysterical!" (Alynda Wheat, People)

Thirty-something Annie (Kristen Wiig) has hit a rough patch but finds her life turned completely upside down when she takes on the Maid of Honor role in her best friend Lillian’s (Maya Rudolph) wedding. In way over her head but determined to succeed, Annie leads a hilarious hodgepodge of bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper) on a wild ride down the road to the big event.



The year’s most outrageous wedding comedy Bridesmaids arrives on DVD and Blu-ray Combo packs on September 20th from Universal Studios Home Entertainment. It will be available for Digital Download September 20th.

Surpassing Sex and the City as the number one R-rated female comedy of all time, Bridesmaids stars “Saturday Night Live” standouts Kristen Wiig and Maya Rudolph, and was produced by comedy mastermind Judd Apatow (Knocked Up, The 40-Year Old Virgin).

You can go here to see some of Universal's other wedding themed comedies:

http://www.monstersandcritics.com/dvd/features/article_1659125.php/Get-ready-for-Bridesmaids-with-these-romantic-themed-comedies

Friday, August 26, 2011

Is Kristen Wiig devolving feminism?

Check out this article that addresses it. We didn't include all the article, because it goes all over the place and pretty much fizzles down and becomes less interesting as it goes. But it's a great question. What do you think?

=================================

Women get rowdy: Movie audiences attracted to actresses behaving badly in big summer comedies



Kristen Wiig (left) and Rose Byrne are shown in a scene from "Bridesmaids." Wiig co-wrote the film, which features her as a not-so-honorable maid of honor.

In America's movie theaters, this has been the summer of women behaving badly:

Kristen Wiig as an underachieving maid of honor who trashes her friend's bridal shower in "Bridesmaids"; Cameron Diaz as a pot-smoking middle school teacher in "Bad Teacher"; Jennifer Aniston as a predatory dentist harassing her male assistant in "Horrible Bosses."

Bad Teacher:



Still to come: Anna Faris as a hard-partying slacker with a long list of exes in September's "What's Your Number?"

The women characters in all these films swear, drink and leap into the sack with gusto, as well as engage in potty humor and, perhaps most radically for Hollywood, deliver the funniest lines, few of them printable here.

Their success at the box office -- "Bridesmaids" has grossed more than $200 million worldwide -- has ignited debate within the industry and in cultural circles about the raunchy new high, or low, that women are hitting in screen comedy right now.

For many viewers and the actresses themselves, these anti-heroines, by emulating the crudeness that long has spelled box office gold for men in R-rated comedies such as "The Hangover" and "Knocked Up," represent a refreshing break from the sexy potential one-night stands, perky potential girlfriends or shrill potential ex-wives women frequently play in mainstream comedies.

But after the box office receipts are tallied, the question lingers: Is the right to crack a flatulence joke a progressive sign of loosening gender strictures or of the devolution of the broader culture?

Take pressure off

For women under 40 in particular, who grew up with not only the option but the responsibility of breadwinning, as well as images of actresses saving the world in short-shorts, there's a relief in seeing female sloth and imperfection on screen.

"I'm very intrigued by playing women who are much more like men: messy and sloppy," said Anna Faris, who at 34 was born after Roe vs. Wade, Title IX and the TV premiere of "Charlie's Angels."

"Young men that I know that I went to college with ... they kind of were losers. ... I think the reaction to that was a lot of type-A women: the perfect shoes, the perfect job, the baby, the husband, just driven, driven, driven. Not allowed to screw up. I just want to see the women that screw up," Faris added.

Wiig, co-writer as well as star of "Bridesmaids," noted, "On some levels, women and men may find different things funny that relate to their own sex. One thing we wanted ... was ... to get some sort of a female language in there.

"The biggest compliment I can get is people relating to some aspect of the character," Wiig said.

Not everyone, though, sees actresses following the crudeness or indolence of male comics as a sign that women are enjoying new cultural freedom.

"Women cross-dressing our kind of humor as male humor is the worst possible idea," said Gina Barreca, 54, author of "They Used to Call Me Snow White ... but I Drifted: Women's Strategic Use of Humor" and professor of English and feminist theory at the University of Connecticut.

"Is this a great new feminist assertion of the self that says, 'Yes ... women belch, women get drunk? That Cameron Diaz being a disgrace, isn't that fabulous?' " Barreca said. "The feminist ideal was not that there was going to be equity of stupidity. Finding the lowest common denominator is not what everybody was marching for."

Camille Paglia, professor of humanities and media studies at the University of the Arts in Philadelphia, who has written extensively (and sometimes with contempt) about feminism, says that physicality is not mere coincidence but expresses the chafing some women feel about societal expectations of responsibility and virtue.

"What slapstick expresses is a kind of freedom of the body," Paglia said. "You don't care about decorum, you don't care how you're looked at. If slapstick is coming back now for women, is it not a function of a sense of relief, letting it all hang out in this crazy physical way? Young, white, middle-class women feel very constrained right now."

...

In 1927, for instance, Mae West's hit Broadway play, "Sex," was advertised with a publicity still of the bosomy actress towering over an apparently defenseless man sprawled in a chair.

West's suggestive shimmy in the show landed her seven days in jail on a charge of "corrupting the morals of youth."

"Virtue has its own reward," West would say years later, after a career of conspicuously choosing vice, "but no sale at the box office."

Read the rest of the article here:
http://www.postandcourier.com/news/2011/aug/12/women-get-rowdy/

================================

OUR TAKE...

I think Wiig and Faris are idealizing it a little. I think West is the one who is being honest here with her quote... "Virtue has its own reward, but no sale at the box office."

That's the truth, at it comes from someone who turned heads similarly (or more so) in the 1920s.

I also think that professor, Paglia, is resentful toward feminism (I don't disagree). Calling crude humor slapstick is only half true. I wouldn't compare Bridesmaids to Three Stooges, by any means. Sure there is slapstick in Adam Sandler's films and the Hangover films, but that's only a piece of the pie. There's also randomness and crude jokes. You can't write it all off as "slapstick." But slapstick is certainly part of it.

I think what I'm after is just honesty with it. It is what it really is, and we shouldn't claim it's something else.

Enjoy!

Monday, August 15, 2011

Kristen Wiig's Bridesmaids - Box Office Report

So we all know that Bridesmaids was a hit, but here's how much...



Domestic Total as of Aug. 11, 2011: $166,809,375

Domestic: $166,809,375 65.0%
+ Foreign: $89,800,000 35.0%

---------------------------------
= Worldwide: $256,609,375


Production Budget: $32.5 million

So they spent $32.5 million making it and made $257 million from it (does not including theater costs, so not all that money goes back to the studio).

That makes it the #3 wedding movie, behind My Big Fat Greek Wedding and the Wedding Crashers...

1 My Big Fat Greek Wedding IFC $241,438,208 4/19/02
2 Wedding Crashers NL $209,255,921 7/15/05
3 Bridesmaids Uni. $166,809,375 5/13/11
4 Runaway Bride Par. $152,257,509 7/30/99
5 Mamma Mia! Uni. $144,130,063 7/18/08

Full list:
http://www.boxofficemojo.com/genres/chart/?id=wedding.htm

It's also the #1 alumni debut (and Kristen Wiig is still on SNL). It beat out Wayne's World (Mike Meyers), Animal House (John Belushi), 48 Hours (Eddie Murphy), Old School (Will Ferrell), Foul Play (Chevy Chase), Meatballs (Bill Murray), Running Scared (Billy Crystal), Billy Madison (Adam Sandler), Hot Rod (Andy Samberg), and Macgruber (Will Forte).

Full list: http://www.boxofficemojo.com/franchises/chart/?id=snldebut.htm

Of course, Wiig's supported a ton, but this is her first starring role.

It's also the #1 Judd Appatow produced film, beating out Knocked Up, Superbad, and 40-Year Old Virgin. See more here: http://www.boxofficemojo.com/showdowns/chart/?id=apatowvs.htm

The bottom line is that this was a huge hit, and Kristen Wiig should follow it up with a sequel. However, she has to make it an Austin Powers 2 or Hangover 2, not a Waynes World 2. =^)

In other words, go bigger and take it to the next level. Take Hangover 2 for example. How do you go bigger than the Hangover (trying to figure out what happened in Las Vegas)? They could have done the same thing again in Las Vegas or any other city. Instead, they did it in Thailand and went wild with it. It was similar, but it was also bigger and taken to the next level. The Hangover 2 was down a little in the US, but due to worldwide sales, it was up over a hundred million dollars above the original.

Enjoy!

Kristen Wiig - Hot Video

Lawrence Welk Show - 10/1/11

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